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The 1176 is based on the E&F versions of the black faced original, with the sole addition of XLR I/O as well as the original screw in terminals.
Universal audio compressor plus#
The classic Putnam 610 preamp, plus the legendary 1176 compressor, equals one unbeatable channel strip.
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While the famous Fairchild limiters are more valuable, many audio engineers feel that the 175 is the best sounding limiter ever made. Universal Audio 6176 Vintage Channel Strip. The 175’s have a gain reduction ratio of 12:1 and are known for their somewhat slow but extremely smooth attack and release characteristic. It uses 5 other tubes and of course, input and output transformers. Like the Fairchild, Gates, and other classic tube compressors, the 175 uses a variable-mu tube as the gain change element. The upstairs offices were then occupied by The Crusaders, Paul Stookey of Peter, Paul, and Mary, voice over personality comedian Joe Nixon.) (By the time I started at United/Western in the 70’s, UA had become UREI and moved to Sun Valley. All-tube mic preamp section derived from legendary 610 modular console Signature 1176LN Class A FET. UA’s manufacturing facilities were no doubt located upstairs, above the studios. Universal Audio 6176 - Tube Mic Pre + 1176 Compressor. Studio 1 and Studio 3, where countless hit records recorded, were part of the Western facility. This was the location of Western Studios, the larger of the two United/Western buildings. Interestingly, The UA badge on our 175-B shows the address as 6000 Sunset Blvd. MAL-2 limiter Acustica Audio has updated its Ivory mastering effect. The 175, introduced in 1961, was one of UA’s very first products. Ivory5 includes 2 equalizers, 2 compressors, 2 dynamic equalizers and a new powerful.
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Universal Audio’s Compression Obsession page explains that the 175 evolved from the 108 tube preamp, which was used in Bill Putnam’s console at Universal Recording in Chicago.